Order CA$180+ (before taxes) and get FREE Shipping(valid in US and Canada)

- Get 20% OFF your 1st Order ...Use coupon: ONLYPEDALS20

×
Questions? WE ARE HERE TO HELP: Contact Us or FAQ
 

Latest Arrivals

Silicon Fuzz better than Germanium Fuzz?
14 May

Silicon Fuzz better than Germanium Fuzz?

Times Read: 917 Comments: 0

The Basics

The first Fuzz pedals used germanium transistors. By letting the first overdrive the second etc. created their sound. Why germanium transistors? Because it was the only choice readily available and used for all consumer applications. By the 70's along came the new improved Silicon transistors followed near the end of the decade with Op-Amp chips.


Germanium transistors
...sound damn cool but they are notoriously unreliable. They can leak then die. When pushed too hard they send the signal backwards into the incoming signal causing an extreme break up. This breakup creates spitting sputtering and eventually drop outs either sporadically or permanently by causing overheating. Last but not least anything but your guitar put straight into them and the sound either gets destroyed or the whole fuzz takes a F. off pill! If a big effort is made to control this it can be used musically. On the other hand try playing EVH's Eruption with a crude germanium Fuzz just ain't gonna happen!!! LOL

Silicon transistors
...only downside is they do not sound like germanium. Do they sound worse?

Totally subjective???
With a little creative design messing with the BIAS you can add spit and sputter
back into the circuit and do a deceptive fake of a germanium circuit.
A really easy way to tell that the pedal is using silicon transistors is when the pedal does nothing what so ever to pizz you off ...count on it having silicon transistors.

Source: stompboxsteals.blogspot

BBE Windowpane Tech Focus: Germanium vs. Silicon

It all started with those early Fuzzface pedals, very simple devices which used two germanium transistors wired sequentially, the first feeding the second. Some people will tell you that germanium transistors are secret to ultimate fuzz tone. If the early fuzz pedals used them, and they’re vintage cool, that must be true, right? The reality is that germanium transistors are noisy, leaky, and very sensitive to temperature. You could have a Fuzzface that sounds amazing in the studio, but in the heat of a gig its tone falls apart as the temperature plays havoc on the transistors, shifting all the parameters and bias points. Just ask an experienced tour tech about a germanium fuzz and you’ll get nightmare stories. Even on a good day, a germanium transistor fired up to massive fuzz levels will occasionally reach the point where it will leak current and change its bias points, causing a “choking” or “farting” sound. If germanium transistors are so troublesome, why did they use them in the first place? Well, it's because that's what was available at the time.

Enter the silicon transistor. Later Fuzzface pedals and reliable fuzz pedals on the market today use silicon transistors. Some people will tell you that silicon transistors sound harsh, and indeed, they can if all you do is swap germanium transistors for silicon without carefully biasing the transistors and post-EQ. A proper circuit is engineered for a desired outcome, and parts swapping does not equate to engineering.

You’ve got to love a good working old fuzz, as it’s a cool piece of history and that means a lot to many of us. For real-world gigging, however, it’s best to leave that old fuzz at home and use a tool that sounds better, anywhere, anytime, every time. That’s Windowpane.



BBE Windowpane Tech Focus: Are You Biased?


Every Windowpane is carefully biased at the factory and configured for optimum gain, tone and headroom. Paul Gagon, BBE VP of Engineering, has repaired hundreds of old fuzz pedals and discovered that although there’s a “right” way to bias the transistors, there’s room for subjectivity. According to Gagon:

“You’ll find guys on forums claiming that a fuzz should be biased in one direction and other guys insisting it should be biased the opposite direction, but the trouble with either is you can end up with a final transistor stage that clips heavily on either the positive side or negative side. Over the years I’ve found that most people like the maximum amount of signal swing before it starts distorting. If it’s not biased right in the center zone, it never really gets that sparkly clean Jimi tone when you back off your guitar’s volume control. There’s nothing so difficult to control yet so expressive as a fuzz pedal, but proper bias is critical.

"I remember this guy who was a huge Jimi fan. He had an old Fuzzface with silicon transistors he paid a major bucks for but he’d heard on the net that germanium transistors are the ticket to ultimate tone. So he ordered these ‘magical’ NOS germanium transistors from an eBay seller in England and asked me to install them. I told him there was nothing wrong with the silicon transistors already in his fuzz, they just needed to be biased. Since he already spent a wad of cash he didn’t want to hear that, he just wanted those germaniums in there ASAP. I think he couldn’t wait to go online and tell his buddies how awesome they are! Nobody makes germanium transistors anymore, so there are these little caches of inventory that tend to move around, but it seems most of the decent germaniums were picked over years ago and a lot of them around now are simply duds. This guy was lucky in that he actually received two working transistors, so I took some time to bias them correctly, in a zone where they need to be to function as well as they could. In the end, the guy was so disappointed he asked me to install some good silicon transistors and bias them. Voila! The guy was delighted. It’s just unfortunate that he got dropped a load of money on resistors because he got sucked in by the hype.

"Aside from the lesson he learned about hype and simple parts swapping, it’s critical to consider what’s happening in the whole circuit. His old fuzz pedal had so much tolerance in the gain of the transistors, resistors and caps, it was like trying to get an old classic but road-worn Ferrari to run well: you’ve got to know what you’re doing. What’s so disappointing to me is that there are guys out there assembling fuzz pedals, just copying old designs and not even hand-biasing them, let alone hand-select components to work well together.”


Source: BBESound.com


Related products

Artec 70's Drive Blender
C$69.99

SE-7DB has two different kind of distortion circuits inside. This system can provide bold tone from the blending control. Player can set teh gain level of each distortion channel. ..

Add to Cart
AMT Electronics B-Drive JFET Distortion Pedal
C$139.99

AMT Electronics B-Drive mini – JFET distortion pedal Features overview Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment. In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds. The AMT B-DRIVE was designed for guitarists looking for distortion sounds similar to that of Bogner* amplifiers. When using Drive Series Effects, the resulting sound is mainly influenced by the combo or amplifier you use, as well as the speakers installed in your cabinet. The Drive Series were designed for guitarists who do not need or desire the speaker emulation of the Legend Amp Series. Drive Series pedals provide massive gain, and tonal perfection; just as the tube heads they represent! CONTROLS: – The pedal sensitivity and drive/distortion amount is determined by the position of GAIN control. – The overall output level is determined by the position of LEVEL control. It’s range of adjustment provides the standard minimum level of -10dB and reaches +8 dB at it’s maximum position. – The pedal also features a simplified TONE control, which is designed for general tone matching of the pedal to your amplifier. Further EQ adjustment may be made on the expanded preamp section of your amplifier. – A VOICE switch to cut some mids. – Standard 9vDC (-) negative center power required. Voltage consumption is low, running at only (less than 4mA) of power. – TRUE BYPASS circuitry. No tone coloration, signal derogation, or loss while pedals is not in use.AMT Electronics B-Drive mini – JFET distortion pedal Features overview Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment. In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds. The AMT B-DRIVE was designed for guitarists looking for distortion sounds similar to that of Bogner* amplifiers. When using Drive Series Effects, the resulting sound is mainly influenced by the combo or amplifier you use, as well as the speakers installed in your cabinet. The Drive Series were designed for guitarists who do not need or desire the speaker emulation of the Legend Amp Series. Drive Series pedals provide massive gain, and tonal perfection; just as the tube heads they represent! CONTROLS: – The pedal sensitivity and drive/distortion amount is determined by the position of GAIN control. – The overall output level is determined by the position of LEVEL control. It’s range of adjustment provides the standard minimum level of -10dB and reaches +8 dB at it’s maximum position. – The pedal also features a simplified TONE control, which is designed for general tone matching of the pedal to your amplifier. Further EQ adjustment may be made on the expanded preamp section of your amplifier. – A VOICE switch to cut some mids. – Standard 9vDC (-) negative center power required. Voltage consumption is low, running at only (less than 4mA) of power. – TRUE BYPASS circuitry. No tone coloration, signal derogation, or loss while pedals is not in use...

Add to Cart
AMT Electronics 12AX7 Warm Stone Solid State Vacuum Tube
C$59.99

 A 12AX7 vacuum tube wears out mainly due to usage and heat and has to be replaced every 5000 to 6000 hours of use. With this solid state version you get identical performance and avoid the time and expense of replacing the tubes in your effects, preamps and amplifiers.This is a Light Edition version of the hit solid-state functional analog of the 12AX7 – 12AX7 Warm Stone tube! The only difference between the LE version and the usual 12AX7 Warm Stone tube is solely in appearance. Due to the fact that instead of the expensive (although aesthetically very beautiful) aluminum housing of the "tube", the LE version uses a transparent heat shrink, it was possible to significantly reduce the cost of production and, as a result, the retail price. At the same time, according to all other technical characteristics, the LE version is ABSOLUTELY IDENTICAL to the "full version" of the Warm Stone tube! Before you buy, make sure that the anode (plate) voltage in your device at is least 30V.   Warm Stone tubes feature: 100% functional analog of vacuum 12AX7/ECC83 tubes (same size too)Constant characteristics during the whole service period - no need to replace them almost at all!Blind tests show no difference in sound character between WS and vacuum tubesThe original design and cool look (orange line glows when they're on)Dimensions: 22/22/54 mmType: functional analog of tubes 12AX7, ECC83Weight: 0,03 kg Review taken from Audiofanzine Following a five 12AX7 preamp lamp having passed away, I naturally want to put in an order. Basically I use JJ Electronics, a reference to a guitar amp tube Brunetti XL ² Revo sending wood! And then I came across ... that! manufactured by AMT in Siberia, they are known for their preamp and preamp pedal for guitar, all electronic, without lights, big sound special. Yes, no lights I say! So what does that mean, me seeking to replace lamps? Well these aficionados of the country of vodka is manufactured lamps designed e ... without lights! Of electronic lamps actually! These were thought so to respect the behavior of a lamp on the frequency response, gain, etc ... Here is the link for the characteristics (http://amtelectronics.com/products/warmstone-tubes-solidstate-analogs/12ax7ws-warmstone-12ax7-tubes-solid-state-equivalents/#prettyPhoto). It is a relatively standard 12AX7/ECC83 without a pronounced hyper character. The benefits cited are: a period of almost unlimited life (no wear) and no warm-up time! Not bad if it sounds good, others cry Heresy: a tube amp for LAMP is purchased. Brief curiosity prompts me to order 5 to change my entire preamp section. Indeed, anyone with tube amp knows that the sound is not only thanks to the lamps, but all the electronics behind in the amp (otherwise we shall craft all amp Mesa Boogie Dual sided sticking lamps in a Mesa amp Jet City or Bugera). So I want to clarify that I do a lot of metal, I use 8 string guitars with active microphone, so my opinion is still quite stained. Brief try in my gear section to get an idea. So I turn my 5 JJ and puts the AMT instead. They are simple, black with a small white circle. I turn on my amp and oooh, this little white circle turns orange! Fun, we keep the color code of a tube amp (that is sure green or blue, good, less credible!). I play a bit on the gain and the thing that surprises me high channel, low noise. Ba yes it is super optimized such thing, no microphonics either! Regarding the sound, well I did not see any difference except for a gain lower than I naturally compensated with the gain knob of the channel of my amp, lightly coat. It's really great bluffing, I was expecting a fairly narrow sound like a transistor amp, but it was not, we keep the same behavior as a conventional lamp. They were not kidding these Russian, is a sacred R & D behind it. It has beautiful shades, giving this natural harmonic heat. Anyway, I'm amazed! Therefore recommend anyone with a tube amp that rotate and want reliability. However, you should know that these lamps match features "classic", so if you had Tunk Sol / Sovtek and other ba within the aura gain is certain, so it will adjust the settings. Good news, AMT has confirmed the release of EL34 and 6L6 for spring 2014 according to the same concept! I already know what I'm going to order ..

Add to Cart
BBE Windowpane WP-69 Silicon Fuzz
C$129.99

Windowpane™ WP-69 VINTAGE GERMANIUM FUZZ TONE WITH MODERN SILICON RELIABILITY Imagine a killer fuzz tone like Jimi at his best, with that creamy fuzz driving his Marshall into incredible sustain. For many fans, that tone is their holy grail. Unfortunately, the quest to find it is more like “chasing the dragon” because there’s so much hype and misleading information out there. Windowpane cuts through that nonsense with experienced engineering for tone so authentic you’ll swear the grail has landed on your pedal board. The all-analog Windowpane’s two sequentially-wired silicon transistors are properly biased at the factory and the tone is dialed in with a carefully selected treble roll-off on the second transistor, recalling the slightly mellowed top end of early germanium transistor fuzz pedals. But unlike those old classics, Windowpane fuzz pedals are remarkably consistent from one to the next, thanks to reliable, predictable silicon transistors and low-tolerance 1% metal-film resistors. Add in high-voltage poly caps on a rugged circuit board and Windowpane delivers the mind-altering fuzz tone you’re after, gig after gig. And when you don’t want to melt faces, a properly engineered true hardwire bypass means signal passes entirely around the circuit, from input jack to output jack without a hint of loading. Features include Hand-biased silicon transistors50K Ohms Low Z input for authentic vintage fuzz pickup loading10K Ohms output impedance when engaged1% metal-film resistors for consistencyHigh-voltage poly caps for better toneMilitary-spec circuit board for reliabilityBlue status LED for high visibility and low power consumptionEasy access battery compartmentTrue hardwire bypass ..

Add to Cart

Related Posts

Write Comment