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An optical compressor performs gain reduction control via a light source
into a photosensitive cell. As the light source gets brighter, the
photo-sensitive cell sends a signal to reduce dynamic range, or what
becomes a compressed signal. The Classic Opto Compressor pedal's four
controls (from left to right) are the Gain, which controls the
'pre-glow' of the optical circuit (the more you turn this up, the fatter
the sound); Level, which controls the overall volume of the compressor;
Compression, which controls how hard or soft the compression is; and
the Attack control, which takes the signal from transparent to outright
total squeeze.
The Bypass footswitch engages or bypasses the
pedal. The red LED will be on when the compressor pedal is engaged. The
Gain knob adjusts how much of the guitar signal you load the circuitry
with. If you set the knob at left the compressor will not be very
effective, the more you turn right the more effective the compressor
becomes. The Carl Martin compression pedal can go from a very mild soft
compression to really hard, beefed-up compression at full right. The
gain knob will be interactive with the rest of the knobs, so the harder
you load the circuitry, the more effective the Comp knob gets.
The
Carl Martin pedal's Level knob adjusts the output level from the pedal
to match your clean sound. This is helpful when you are finished setting
the gain, comp, and attack knobs, for the comp effect you want. The
level knob can go from below unity level to several dB boost, so you can
actually use the Carl Martin Classic Opto-Comp as a boost sustain
pedal, to make your singing lead cut through to the audience.
When
you have set the gain knob to the right amount of signal you want to be
compressed, set the amount or degree of compression on the Comp knob,
going from nearly nothing at full left, to extreme hard compression at
full right. The efficiency of the knob depends on how the gain and
attack knobs are set.
The Carl Martin Classic Opto compressor
pedal's Attack knob adjusts and sets how fast the attack/release time
shall be. At full left, the attack is fast, giving the compression a
more neutral limiter presence. At full right, the compression is much
more effective, providing a setting more suitable for fingerpicking
style.
The Carl Martin compressor pedal comes in a solid
die-cast housing with cool chicken-head knobs, CM color and graphics and
a 9v battery compartment.
Carl Martin, the Vintage Series Opto-Compressor is an old-school compressor from the days where colouring was an important factor to the sound.
| Technical | |
| Pedal Type | Compressor |
| Power Requirement | 9 volt DC center negative 200 mA |
| S/N Ratio | 105 dB |
| Total Harmonic Distortion | 0.05 |
| Current Draw | 130 mA |
| Inputs | 1 1/4 TS |
| Outputs | 1 1/4 TS |
| Height | 56 mm |
| Depth | 95 mm |
| Width | 120 mm |
| Weight | 420 gram |
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